Alcestis (Translated by William Arrowsmith)438 b.c
Events prior to the start of the play. Long before the start of the play, King Admetus was granted by the Fates the privilege of living past the allotted time of his death. The Fates were persuaded to allow this by the god Apollo (who got them drunk). This unusual bargain was struck after Apollo was exiled from Olympus for nine years and spent the time in the service of the Thessalian king, a man renowned for his hospitality who treated Apollo well. Apollo wishes to repay Admetus' hospitality and offers him freedom from death. The gift, however, comes with a price: Admetus must find someone to take his place when Death comes to claim him.
The time of Admetus' death comes and he still has not found a willing substitute. His father, Pheres, is unwilling to step in and thinks that it is ludicrous that he should be asked to give up the life he enjoys so much as part of this strange deal. Finally, Admetus' devoted wife Alcestis agrees to be taken in his place because she wishes not to leave her children fatherless or be bereft of her lover. At the start of the play, she is close to death.
Synopsis: In the play's prologue, the god Apollo comes out from Admetus' palace in Pherae (modern Velestino in Magnesia), dressed in white and carrying his golden bow, with the intention of leaving to avoid becoming stained by the imminent death of Alcestis, who is being comforted within. He offers an exposition of the events leading up to this moment. He hails the arrival of Thanatos (Death), who, dressed in black and carrying a sword, has come to the palace in his role as psychopomp to lead Alcestis to the underworld. Thanatos challenges Apollo's apparent defence of Alcestis and accuses him of "twisting slippery tricks" when he helped Admetus cheat death in the first place. Apollo reassures him and, in a passage of swift stichomythic banter, proposes a postponement of Alcestis' death, which is sarcastically rebuffed. "For once," Thanatos concludes, "you may not have what is not yours." Defeated, Apollo leaves angrily, prophesying the arrival of a man (Heracles) who will wrestle Alcestis away from Death. Alone with the audience, Thanatos warns that "this was a god of many words; but words are not enough," before he summons the doors open with the tip of his sword and slowly enters the palace.
The entry of the chorus, or the "parodos" sequence, follows: a chorus of fifteen men of Pherae, led by a "coryphaeus" (chorus-leader), enter the orchestra of the theatre. The chorus-leader complains that they are in a state of suspense, ignorant of whether they ought to be performing mourning rituals for their queen. The chorus' lyrical ode, to which they dance as they sing, consists of two paired stanzas of strophe and antistrophe. They sing of the silence that greets their search for signs of mourning, the evidence of Alcestis' death. "When goodness dies," they lament, "all good men suffer, too." The chorus-leader concludes by dismissing the chorus' search for hope in the situation: "The King has exhausted every ritual."... Who will deny it? Is there a higher excellence than this, that a wife should die her husband's death?
The entire city knows it, and affirms it. Maidservant (Epeisodion I)
The first episode begins with a maidservant, who enters from the palace in tears. When the chorus-leader presses her for news, she gives a confusing response: "She is alive. And dead." Alcestis stands, she explains, at this moment on the brink of life and death. The chorus-leader anxiously confirms that all of the customary preparations have been made for her proper burial. The maidservant joins the chorus-leader in praising Alcestis' virtue. She narrates a long description of Alcestis' prayers and preparations to die earlier that morning, when Alcestis cried over the bridal bed that will destroy her, embraced her sobbing children, and bade all farewell. She describes how Admetus held Alcestis weeping in his arms while her eyes clung to the sight of the last rays of sun she would see. The maidservant welcomes the chorus-leader to the palace and goes inside to inform Admetus of their arrival.
Alcestis, on her death-bed, requests that in return for her sacrifice, Admetus never again marry, nor forget her or place a resentful stepmother in charge of their children. Admetus agrees to this and also promises to lead a life of solemnity in her honour, abstaining from the merrymaking that was an integral part of his household. Alcestis then dies.
Just afterwards, Admetus' old friend Heracles arrives at the palace, having no idea of the sorrow that has befallen the place. Unwilling to turn a guest away, the king decides not to burden Heracles with the sad news and instructs the servants to make him welcome and to keep their mouths shut. By doing this, Admetus breaks his promise to Alcestis to abstain from merrymaking during the period that follows her death. Heracles gets drunk and begins to irritate the servants, who loved their queen and are bitter at not being allowed to mourn her properly. Finally, one of the servants snaps at the guest and tells him what has happened.
Heracles is deeply embarrassed at his blunder and his bad behaviour and he decides to ambush and confront Death when the funerary sacrifices are made at Alcestis' tomb. When he returns, he brings with him a veiled woman whom he tells Admetus he has won in a competition. He asks his host to take her and look after her while Heracles is away on his labours. After much discussion, he finally forces a reluctant Admetus to take her by the hand, but when he lifts the veil, he finds that it appears to be Alcestis, back from the dead. Heracles has battled Death and forced him to give her up. She cannot speak for three days, after which she will be purified and fully restored to life.
In the play's unconventional opening, the ghost of Polydorus tells how when the war threatened Troy, he was sent to King Polymestor of Thrace for safekeeping, with gifts of gold and jewelry. But when Troy lost the war, Polymestor treacherously murdered Polydorus, and seized the treasure. Polydorus has foreknowledge of many of the play's events and haunted his mother's dreams the night before.
At dawn, Hecuba mourns her great losses and worries about the portents of her nightmare. The Chorus of young slave women enters, bearing fateful news. One of Hecuba's last remaining daughters, Polyxena, is to be killed on the tomb of Achilles as a blood sacrifice to his honor (reflecting the sacrifice of Iphigenia at the start of the war).
Odysseus enters, to escort Polyxena to an altar where Neoptolemus will shed her blood. Odysseus ignores Hecuba's impassioned pleas to spare Polyxena, and Polyxena herself admits she would rather die than live as a slave. In the first Choral interlude, the Chorus lament their own doomed fate, cursing the sea breeze that will carry them on ships to the foreign lands where they will live in slavery. The Greek messenger Talthybius arrives, tells a stirring account of Polyxena's strikingly heroic death, and delivers a message from Agamemnon to bury Polyxena. Hecuba sends a slave girl to fetch water from the sea to bathe her daughter's corpse.
After a second Choral interlude, the body of Polydorus is brought on stage, having washed up on shore. Hecuba at first glance thinks it is Polyxena, but upon recognizing her son whom she thought safe, reaches new heights of despair.
Hecuba rages inconsolably against the brutality of such an action, and resolves to take revenge. Agamemnon enters, and Hecuba, tentatively at first and then boldly requests that Agamemnon help her avenge her son's murder. Agamemnon reluctantly agrees, as the Greeks are still waiting for a favorable wind to sail home.
Polymestor arrives with his sons. He inquires about Hecuba's welfare, with a pretense of friendliness. Hecuba reciprocates, concealing her knowledge of the murder of Polydorus. Hecuba tells Polymestor she knows where the remaining treasures of Troy are hidden, and offers to tell him the secrets, to be passed on to Polydorus. With blind greed, Polymestor listens intently.
Hecuba convinces him and his sons to enter an offstage tent where she claims to have more personal treasures. Enlisting help from other slaves, Hecuba kills Polymestor's sons and stabs Polymestor's eyes. He re-enters blinded and savage, hunting as if a beast for the women who ruined him.
Agamemnon re-enters angry with the uproar and witnesses Hecuba's revenge. Polymestor argues that Hecuba's revenge was a vile act, whereas his murder was done to preserve the Greek victory and dispatch a young Trojan before he reached fighting age. The arguments take the form of a trial, and Hecuba delivers a rebuttal exposing Polymestor's speech as sophistry. Agamemnon decides justice has been served by Hecuba's revenge. Polymestor, again in a rage, foretells the deaths of Hecuba by drowning and Agamemnon by his wife Clytemnestra. Soon after, the wind finally rises again, the Greeks will sail, and the Chorus goes to an unknown, dark fate.
The Trojan War is over and the Greek forces are making their way home. Meanwhile, in Egypt, Helen of Troy is protesting to anyone who will listen that she is innocent, that she never went to Troy, and the whole war was fought under false pretences. When her husband Menelaus is shipwrecked on the shore where Helen has been taking sanctuary, she not only has a lot of explaining to do, but also an escape to plan...
Background: About thirty years before this play, Herodotus argued in his Histories that Helen had never in fact arrived at Troy, but was in Egypt during the entire Trojan War. The play 'Helen' tells a variant of this story, beginning under the premise that rather than running off to Troy with Paris, Helen was actually whisked away to Egypt by the gods. The Helen who escaped with Paris, betraying her husband and her country and initiating the ten-year conflict, was actually an eidolon, a phantom look-alike. After Paris was promised the most beautiful woman in the world by Aphrodite and he judged her fairer than her fellow goddesses Athena and Hera, Hera ordered Hermes to replace Helen, Paris' assumed prize, with a fake. Thus, the real Helen has been languishing in Egypt for years, while the Greeks and Trojans alike curse her for her supposed infidelity.
In Egypt, King Proteus, who had protected Helen, has died. His son Theoclymenus, the new king with a penchant for killing Greeks, intends to marry Helen, who after all these years remains loyal to her husband Menelaus.
